
上映:
1948-11-19
更新:
2025-04-13 19:27:43,最后更新于2月前
备注:
HD中字
评分:
7.4分
剧情:
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.收起
相关影片
1993剧情片法国 / 英国 / 印度
报复永远不会太迟——即使是在15年后。玛雅已经等了15年。现在,她回来了,要打倒摧毁她的家庭——一个接一个,没有人能逃脱她带来的火灾。
第3集
2025剧情片中国大陆
HD
2025剧情片韩国
HD
2025剧情片巴西
热苏伊塔·巴尔博萨 卡罗琳·阿布拉斯 艾米拉·盖德斯 布鲁诺·蒙塔莱昂尼 罗密欧·布拉加 Lara Tremouroux Mauro Soares Jullio Reis Pedro Zurawski Jeff Lyrio Bruno Parmera 安德烈·戴尔
这部传记片讲述了巴西歌手耐伊·马托格罗苏(热苏伊塔·巴尔博萨 饰)的一生。
HD
2025剧情片巴西
Viva a Vida! is a Brazilian comedy-drama that follows Jessica (Thati Lopes), a young woman who works
正片
2025剧情片美国 / 德国
HD
2024剧情片日本
HD
2025剧情片意大利,比利时
影片改编自真实故事。2005年,意大利特工尼古拉·卡利帕里在巴格达被美军“误杀”,当时他正护送被恐怖组织囚禁的记者朱莉安娜·斯格雷纳返回安全地带。影片在紧凑克制的节奏中,展现了卡利帕里如何在战火与谍影
HD
1990剧情片中国香港,中国台湾
HD
2010剧情片中国香港
HD
1995剧情片中国香港
HD
2004剧情片中国香港
HD
2003剧情片中国香港
HD
2023剧情片中国香港
HD
正在热播
更多2025喜剧片中国大陆,中国香港
热播
正片
2024国产剧中国大陆
热播
于和伟 富大龙 丁勇岱 白凡 马苏 黄曼 刘凯 赵阳 李溪芮 胡明 李泓良 孙浩 郑晓宁 颜世魁 冯国强 杜功海 李宝安 周波 邵兵 李泰 王玉宁 武笑羽 曹卫宇 赵岩松 安冬 要武 曹骏 朱辉 高海鹏 刘恩尚 石文中 刘泊霄 白威 于俭 孙玮 柳明明 孙强 李春嫒 秦旋 王茂蕾 许之糯 常荻 刘喆 王奕盛 潘宏梁 霍政谚 陈子潇 朱义 李田野 崔文静 张旭 梅洋 封新天 林一霆 党伟 刘洁 薛淑洁 薛淑杰
90年代的中昌省河昌市,基层民警秦川凭借自身努力求学深造,终于如愿成为一名刑警。在师父高建设、好友叶茂生壮烈牺牲后,秦川更加坚定了自己捍卫正义,制裁犯罪分子的决心,先后参与侦破多起案件,逐渐成长为中昌
第38集完结
2025动作片中国大陆
热播
抢先版
2025动漫中国大陆
热播
超清版
2024日韩动漫日本
热播
自从击退了艾尔莎等人的袭击,并在和大兔的战斗中与碧翠丝签订契约,从而解放了“圣域”后,已经过了一年。爱蜜莉雅阵营为了王选团结一致,每天过着充实的日子。然而,一封由使者送来的信件结束了菜月昴的宁静生活。
更新第16集